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NTT DOCOMO Studio & Live
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NTT DOCOMO Studio & Live

NTT DOCOMO Studio & Live is the Japanese entertainment company that officially began business on May 1, 2023 after NTT DOCOMO and the Yoshimoto-side FANY group aligned on a broader entertainment push. The company's own profile and NTT DOCOMO's launch release frame the business around three lanes: video planning and production, artist development and management, and live-event production.

That ownership structure still matters. NTT DOCOMO holds 66.64 percent and FANY Co., Ltd. holds 33.36 percent, giving the company a hybrid base that combines telecom-scale distribution with entertainment production infrastructure. It is not just a paper joint venture. The business is designed to move content, artists, and events through connected channels.

The operating examples make that easier to read. Official company news includes platform-facing work such as Lemino exclusives and broader studio output, which is why HITKULTR tracks the company as more than a background investor. It sits inside the Japan-side production network that increasingly intersects with Korean IP travel and cross-border adaptation.

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Fans Also Ask

What is NTT DOCOMO Studio & Live?
NTT DOCOMO Studio & Live is a Japanese entertainment company that began operations on May 1, 2023. Its official company outline says the business spans video planning and production, artist management, and concerts or live events, which makes it broader than a single-format studio or talent office.
Who owns NTT DOCOMO Studio & Live?
According to the official company profile, NTT DOCOMO owns 66.64 percent of NTT DOCOMO Studio & Live while FANY Co., Ltd. owns 33.36 percent. That split gives the company both telecom-scale distribution power and entertainment-production infrastructure from the Yoshimoto side.
What kind of projects does NTT DOCOMO Studio & Live handle?
Official materials point to a mix of video content, artist-facing work, and live-event operations. Company news around Lemino exclusives such as Hama-chan's Holiday also shows that the business is not just a rights holder. It actively develops and distributes entertainment through DOCOMO-linked channels.
Why is NTT DOCOMO Studio & Live relevant to Korean entertainment coverage?
The company matters because it is part of the Japan-side infrastructure that can move formats, co-productions, and artist-facing projects across borders. HITKULTR tracks it in that context rather than as a purely domestic corporate profile, especially when Japanese entertainment networks intersect with Korean IP.

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