The Pulse of K-Entertainment

President Jae Myung Lee of South Korea and Indian Prime Minister Narendra Modi at a joint press conference in New Delhi
Film & TV4 min read

Korea and India Turn K-Pop Momentum Into a Film Co-Production Play With Amor

Korea and India are moving beyond K-pop fandom into a formal film co-production lane with Amor, a planned Mumbai Korea Center, and a broader push to build K-content infrastructure in India.

Pak

April 27, 2026

0
#K-Culture#India-Korea Collaboration#Amor#Flixoven#Studio Shakti#Mumbai Korea Center#Film Co-Production

Korea and India are pushing their entertainment relationship past touring and fandom into formal film production, with Korean studio Flix Oven and India’s Studio Shakti signing a co-production deal for Amor during President Jae Myung Lee’s state visit to New Delhi. The project is targeting a September shoot, according to Seoul Economic Daily, while the same diplomatic package also introduced a five-year cultural exchange program and the planned Mumbai Korea Center, as reported by Korea JoongAng Daily. That matters because this is not another vague K-wave headline. Korea is now building an India strategy across films, live performance, and local market infrastructure, from HYBE’s Mumbai office to the policy push around Amor. If Made in Korea proved India-Korea screen collaboration can travel, Amor looks like the first serious attempt to make that lane repeatable.

Amor turns diplomacy into an actual production play

Amor matters because it arrived with names, timing, and institutional backing instead of the soft language that usually surrounds cultural MOUs. Seoul Economic Daily reported that Flix Oven and Studio Shakti are targeting September 2026 for filming, and The Korea Herald said the signing happened as Korean and Indian film executives gathered in New Delhi alongside Jae Myung Lee’s visit. Korea Times also framed the roundtable as an effort to combine India’s scale as the world’s biggest film producer with Korea’s content muscle, which is exactly why this story lands harder than a one-day ceremony photo. Korea is no longer just exporting finished music and drama into India and hoping the audience follows. It is testing a co-production model with local partners, official policy support, and a business case that already has momentum thanks to cross-market titles, streaming performance, and a much clearer read on Indian demand than the industry had even two years ago.

Award winners pose with Korean and Indian officials at K-Dream Stage in New Delhi
Award winners pose with Korean and Indian officials at K-Dream Stage in New Delhi. Photo: Yonhap News / Seoul Economic Daily

The Mumbai Korea Center is the bigger clue

The planned Mumbai Korea Center may end up being the most important detail in this whole package because it signals permanent infrastructure, not a one-off event. Korea JoongAng Daily reported that the center is being pitched as a permanent K-pop performance hall and overseas K-culture hub, while The Korea Herald described it as a platform for future collaboration between K-pop and Bollywood. Put that next to HYBE opening its Mumbai office in 2025 and the strategy becomes easy to read. Korea wants a durable base inside India’s entertainment economy, one that can support concerts, training, partnerships, screenings, and the kind of local relationship building global content businesses need if they want to scale. That is a smarter play than treating India as a streaming afterthought. India is too large, too young, and too culturally noisy for that. The next phase was always going to be co-creation.

There is also a fandom story underneath the policy story. India has been visible in cross-border K-pop experiments for years, and NextShark noted as far back as 2021 that Indian members were already part of regional idol projects built around Asian cultural exchange. That earlier wave did not create a full industrial bridge on its own, but it showed the audience signal was real. The new difference is scale. This time Korea is pairing fan demand with institutions, from the summit-level cultural agreement to the roundtable that included Korean Film Council leadership and production executives. We have seen plenty of markets consume Korean culture. India now looks like a market Korea wants to build with.

What HITKULTR is watching next

The next proof points are straightforward. Amor needs to start shooting on schedule, Flix Oven and Studio Shakti need to reveal cast and distribution details, and the Mumbai Korea Center needs to move from diplomatic headline to construction and programming reality. If those pieces land, this stops being a symbolic partnership and starts looking like a durable Korea-India content corridor. If they stall, the story drops back into the familiar pile of cultural announcements that sound big and change little. Right now, though, the signal is stronger than usual. According to Seoul Economic Daily, the roundtable was designed to produce practical cooperation plans, and The Korea Herald’s "era of co-creation" framing feels accurate. Korea is betting that India is not just a fan market anymore. It is a partner market.

Fans Also Ask

What is Amor in the Korea and India film deal?
Amor is the working title of a new Korea and India co-production film being developed by Korean studio Flix Oven and India’s Studio Shakti. The project was announced during President Jae Myung Lee’s April 2026 visit to New Delhi. Korean media described it as part of a broader push to expand bilateral cooperation across film, culture, and talent development.
When will Amor start filming?
Amor is targeting a September 2026 production start, according to Seoul Economic Daily’s report on the Korea and India film industry roundtable in New Delhi. That date was announced alongside the co-production signing ceremony involving Flix Oven and Studio Shakti. Cast details and release plans have not been publicly confirmed yet.
What is the Mumbai Korea Center?
The Mumbai Korea Center is a planned permanent K-culture hub in India that Korean officials described as including a K-pop performance hall and wider cultural programming. Korea JoongAng Daily reported that it was introduced as part of the April 2026 Korea and India summit package. The project is meant to give Korean entertainment a long-term on-the-ground base in Mumbai.
Why is India becoming more important to Korean entertainment companies?
India matters because it offers scale, a young audience, and growing demand for Korean music, dramas, films, and live events. Korean companies are now moving beyond export and into local infrastructure, partnerships, and co-productions, including HYBE’s Mumbai office and the Amor film deal. That shift suggests Korea sees India not only as a fan market but also as a production market.

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