

Kim Min-hee
Kim Min-hee (김민희) has one of the sharpest late-career second acts in Korean screen culture. After breaking out through modeling and early TV work, she turned into a performer directors can build entire films around, leaning on precision, restraint, and a kind of emotional opacity that keeps scenes open long after they end.
That reputation hardened through her work with Hong Sang-soo and Jeonwonsa Film. Films such as The Handmaiden, The Novelist's Film, By the Stream, and Nowhere to Lay My Eyes show how comfortably she can move between mainstream visibility and austere festival cinema without losing force.
The Locarno Film Festival has become a major site of that recognition. She won the festival's best performance prize in 2024 for By the Stream and returned in 2026 as a co-winner for Nowhere to Lay My Eyes. In a screen landscape where stars such as Jun Ji-hyun carry broad commercial gravity, Kim represents a different kind of authority: exacting, selective, and impossible to reduce to one mode.
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