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Lee Young-ae and Yoo Ji-tae Reunite After 25 Years in Mystery Drama "Jae Yi's Young In"
Lee Young-ae and Yoo Ji-tae are reuniting on screen for the first time in 25 years. Production company I Will Media confirmed the two will star in mystery romance drama "Jae Yi's Young In," set to begin production in 2026.
March 25, 2026
Lee Young-ae (이영애) and Yoo Ji-tae (유지태) are set to reunite on screen for the first time in 25 years, as confirmed by production company I Will Media on March 23, 2026. The two veterans will star in Jae Yi's Young In (제이의 영인), a mystery romance drama that is already generating serious buzz as one of the most anticipated casting announcements of 2026. Their last collaboration was director Hur Jin-ho's 2001 film One Fine Spring Day (봄날은 간다), a defining work of Korean melodrama cinema. Twenty-five years later, they are stepping back into that emotional territory but with a far darker backdrop. Director Oh Ki-hwan, whose 2005 romantic comedy The Art of Seduction built his reputation for emotionally nuanced work, will helm the project. Screenwriter Jo Eun-jung, known for Hotel King and Feast of the Gods, will craft the script, according to I Will Media's announcement.
What "Jae Yi's Young In" Is About
Jae Yi's Young In is a mystery romance built around shared grief. The drama follows a man and a woman, each left alone in the world, who find each other as buried secrets begin to surface. Lee Young-ae will play Joo Young-in, an art teacher and painter who lost her son and survives by painting murals in the sleepless hours before dawn. Yoo Ji-tae will take the role of Shin Jae-yi, a successful architecture firm head whose outwardly carefree personality conceals a serious condition: he lives with dissociative amnesia, with a significant void at the center of his memory. As the two characters fall in love, the ill-fated connection between them and the truths that have been suppressed begin to unravel simultaneously. "With delicate emotional storytelling and an unpredictable plot, we aim to present a distinctive and sophisticated mystery romance drama," the production team stated, as reported by Soompi.
The Characters: Two People Who Lost Everything
Lee Young-ae's Joo Young-in is one of those rare drama characters built entirely around absence. She is a working artist, but her creative output is inseparable from her grief: she paints through the night to avoid the silence of loss. That kind of emotional complexity has always been Lee's specialty. Yoo Ji-tae's Shin Jae-yi, on the surface, could not be more different. He runs an architecture firm, carries himself with warmth and lightness, and seems to move through life without weight. The amnesia changes that read entirely. What looks like freedom is actually a gap, a chunk of his past that he cannot access, and as the story unfolds that gap turns out to be the thread connecting him to Young-in in ways neither character is prepared for. I Will Media's production team described the pair's dynamic as one where "the truth that these wounded characters confront, and the explosive acting ensemble throughout that process, will push the drama's immersion to its peak."
One Fine Spring Day: Why This Reunion Hits Different
One Fine Spring Day (2001) is the kind of film that K-drama fans bring up the way film students cite In the Mood for Love: quietly, reverently, and with the understanding that most people will feel it before they understand it. Directed by Hur Jin-ho, the film followed a sound engineer and a radio producer who fall in and then gradually out of love. Lee Young-ae and Yoo Ji-tae were both in their late twenties and early thirties, and the chemistry they built on screen felt startlingly real. The film's most famous line, "How can love change like that?" became a cultural touchstone for a generation of Korean audiences. It won Best Film at the Grand Bell Awards and is still taught in Korean film studies programs. That is the weight Jae Yi's Young In is carrying before a single frame has been shot. Korean fans on X and Naver communities were quick to note the significance, with one trending thread pulling over 40,000 engagements within hours of the casting announcement.
Two Careers at Very Different Peaks
Both actors arrive at this project with considerable recent momentum. Yoo Ji-tae became a 10-million-admission actor with the 2026 historical film The King's Warden, which has since surpassed 15 million admissions to become only the third Korean film ever to reach that milestone, per Soompi's March 2026 reporting. For Yoo Ji-tae, who debuted in 1998, this represented a career landmark 28 years in the making, as reported by Chosunbiz on March 7, 2026. Lee Young-ae, who has been far more selective with her projects over the years, stepped back into drama audiences' consciousness with her 2025 thriller Walking on Thin Ice. The two actors bring different kinds of cultural weight to the project: Yoo Ji-tae with fresh box office credibility, Lee Young-ae with the sustained prestige of someone whose work carries permanence. It is exactly the kind of casting that makes production companies announce quietly and let the internet do the rest.
The Production Team
Director Oh Ki-hwan built his name with the 2005 romantic comedy The Art of Seduction and has worked consistently in Korean genre cinema since. The pairing with screenwriter Jo Eun-jung is noteworthy: Jo's previous credits include Hotel King (2014, MBC) and Feast of the Gods (2012, MBC), both of which leaned into melodrama with complicated family dynamics and long-buried secrets. Those instincts line up precisely with what Jae Yi's Young In needs. The production company, I Will Media, has a strong track record in Korean drama production, and the casting decision itself signals that the budget and creative ambition are calibrated to match the weight of the talent involved.
What We're Watching For
Production is scheduled to begin in 2026, with no broadcaster or streaming platform confirmed at this stage. Given both actors' profiles and the prestige-drama feel of the project, platform competition for broadcast rights will likely be significant once production starts moving. No drama poster or official teaser has been released, which is typical for projects at this stage. The broadcaster announcement will be the next major development to watch. K-drama fans who grew up with One Fine Spring Day are already treating this as an event, and the project has not even begun filming. That says everything about what 25 years of absence can do to anticipation.







