The Pulse of K-Entertainment

EJAE, Audrey Nuna, and REI AMI performing Golden from KPop Demon Hunters at the 2026 BAFTA Film Awards
Film & TV4 min read

The BAFTA Crowd Was Stone-Faced for HUNTR/X. The Internet Was Not.

Less than 48 hours after sweeping the Annie Awards, KPop Demon Hunters's singing trio brought "Golden" to London. The BAFTA crowd barely blinked. The internet immediately lost its mind.

Pak

February 26, 2026

0
#Hallyu#KPop Demon Hunters#HUNTR/X#BAFTA#Golden#Chase Infiniti#EJAE#Audrey Nuna#REI AMI

HUNTR/X brought "Golden" to the BAFTA stage and gave one of the most polished performances of the awards season. The crowd at London’s Royal Festival Hall had another idea. Clips of the audience sitting stone-faced through the entire set went viral within hours, clocking 1.5 million YouTube views and igniting the defining internet moment of this year’s BAFTAs.

On February 23, 2026, EJAE, Audrey Nuna, and REI AMI, the real-life singing voices behind KPop Demon Hunters’ fictional girl group HUNTR/X, performed their Grammy-winning hit "Golden" live at the EE BAFTA Film Awards in London. The performance marked the first live rendition of the track outside the United States. They came dressed for it: EJAE in white with ornate gold brocade embroidery, Audrey Nuna in a chocolate brown satin dress, REI AMI in a striking red gown with a flame-cut neckline.

HUNTR/X perform "Golden" live at the 2026 BAFTA Film Awards. Video: BBC

BAFTA’s Most Viral Audience

The performance itself was technically strong. EJAE opened solo before Audrey Nuna and REI AMI entered from opposite ends of the venue, working the room as they made their way to the main stage with a full complement of dancers. The execution was sharp. The crowd did not move.

Fans on X (formerly Twitter) noticed immediately. Clips isolating the deadpan crowd reaction spread across K-Pop fan spaces and mainstream entertainment accounts alike. The reactions ranged from confused to amused to genuinely frustrated.

One standout exception: actress Chase Infiniti, who was spotted in the audience fully committed to the performance, visibly singing along while those around her maintained their best impersonations of marble statues. Her reaction became its own viral moment, cutting through the general online chaos with a rare flash of relatable energy.

Rumi, Mira, and Zoey from KPop Demon Hunters in their HUNTR/X formation
The animated HUNTR/X, the in-film group whose real-life vocal counterparts took the BAFTA stage. Image: Sony Pictures Animation / Netflix

The Eligibility Catch

Here is the part that adds another layer to the whole situation. HUNTR/X were not performing as nominees. Netflix submitted KPop Demon Hunters for BAFTA consideration, but BAFTA ruled the film ineligible because it did not meet the organization’s theatrical release requirements. Netflix attempted to appeal under BAFTA’s "exceptional circumstances" clause, arguing that the film’s limited theatrical run, which came roughly two months after its streamer debut, should qualify. BAFTA rejected the appeal.

BAFTA invited the performers anyway, offering them a showcase slot separate from the competitive categories. The film that just swept the Annie Awards 10-for-10, shutting out Disney and Pixar in the process, performed at Britain’s biggest movie awards night without a single statue to show for it. The crowd looked through them. And the internet had a field day.

The "Golden" Fatigue Question

"Golden" has been one of the most performed songs of the awards season. It won a Grammy. It is nominated for an Academy Award for Best Original Song. It has racked up over 11 billion streams globally. Some fans online pushed back on the discourse, not to defend the BAFTA crowd, but to argue that the song itself has been stretched to its limit across ceremony after ceremony. "This song has been ran dry," read one widely shared tweet. Others pushed back on that pushback, pointing out that the problem was never "Golden" and always the room.

The broader cultural friction is real. K-Pop’s presence at Western prestige events has grown steadily, but the warmth of the institutional reception has not always kept pace. Netflix’s most-watched title of all time, built by director Maggie Kang around Korean mythology and K-Pop culture, does not need a BAFTA to prove its reach. Five hundred million views says everything BAFTA eligibility rules cannot. As our coverage of K-Pop’s media dominance has laid out, the wave does not wait for Western institutions to get comfortable with it.

What’s Next

The Oscars loom. "Golden" is nominated for Best Original Song, and KPop Demon Hunters is in the running for Best Animated Feature. If it wins both, a cold BAFTA crowd will look like a footnote in a much longer story. EJAE, Audrey Nuna, and REI AMI will almost certainly perform "Golden" again. And whoever’s in that audience will have the internet watching every single face in the room.

Share This Article

Related Articles

What To Read Next

Film & TV

WEBTOON and Warner Bros. Animation just turned webcomics into a bigger Hollywood pipeline

WEBTOON Entertainment and Warner Bros. Animation added four more projects at Web Summit Vancouver 2026, turning their pact into a bigger Hollywood pipeline story.

WEBTOON and WB Animation logos above four illustrated poster covers for the new development slate
By Pak/ May 14, 2026
0🔥00
Film & TV

Park Ji-hoon Leads the 24th Director's Cut Awards Crossover Race

Park Ji-hoon turned the 24th Director's Cut Awards nominations into a two-lane race, with film momentum, Netflix drama heat, and post-Baeksang timing landing at once.

Park Ji-hoon in an official Weak Hero promotional still from Netflix
By Pak/ May 12, 2026
0🔥00
Film & TV

Korean Films Just Turned Udine Into a Pre-Cannes Signal

Korean films left Udine with three major prizes, giving The Seoul Guardians, My Name and The King's Warden real pre-Cannes momentum in Europe.

A still from the Korean film My Name showing two characters walking out of a doorway together.
By Pak/ May 11, 2026
1🔥00
Film & TV

Painter of the Night Is Lezhin Snack's Highest Stakes Short Drama Test Yet

Painter of the Night hits Lezhin Snack on May 28, turning one of Lezhin's biggest BL webtoons into a real short drama market test.

Illustrated close up character art from Painter of the Night on Lezhin Comics
By Pak/ May 11, 2026
0🔥00
Film & TV

Baeksang 2026 Winners Just Redrew the Korean Film and TV Power Map

Baeksang 2026 was not just a winners list. It showed Netflix's prestige grip on TV, the rare box office force behind The King's Warden, and why Korean film still has room for sharper indie wins.

Official poster for the 62nd Baeksang Arts Awards
By Pak/ May 11, 2026
2🔥00
Film & TV

Hongjoong’s Hallucination Debut Turns Jeonju Into a Real Career Pivot

ATEEZ leader Hongjoong just made his film-music director debut with Hallucination at Jeonju, and the move looks bigger than a one-off idol side quest.

Hongjoong of ATEEZ in a pinstripe blazer and glasses in a portrait photo
By Pak/ May 11, 2026
2🔥00
Film & TV

Lee Byung-hun signs onto Nambeol and gives Joseon action real weight

Lee Byung-hun is set to lead Nambeol, a Joseon rescue action film about nine warriors heading to Tsushima, with filming expected to start in late 2026.

Promotional-style image of nine armed historical figures standing on a cliffside ridge beneath the Nambeol title.
By Pak/ May 6, 2026
3🔥00
Film & TV

CJ ENM's StudioMonowa Could Become K-Content's Most Important Japan Pipeline Yet

CJ ENM's new StudioMonowa venture with TBS and U-NEXT is built to turn Japanese IP, Korean production systems, and local streaming scale into a serious 2026 premium-content pipeline.

CJ ENM, TBS, and U-NEXT executives at the StudioMonowa launch ceremony in Seoul
By Pak/ May 4, 2026
4🔥00